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  • Conservation - Publications

    2011:

    Albertson, Rita and Murray, Winifred
    ‘The Ethics of Inpainting,’in Painting Conservation Catalog, Volume III: Inpainting, Compiled by C. Metzger, Christopher Maines, Joanna Dunn (American Institute for Conservation of Historic and Artistic Works, Paintings Specialty Group), Washington, DC (2011), pp 75 - 100

    Artal-Isbrand, Paula, Klausmeyer, Philip & Murray, Winifred
    An Evaluation of Decorative Techniques on a Red-Figure Attic Vase from the Worcester Art Museum using Reflectance Transformation Imaging (RTI) and Confocal Microscopy with a Special Focus on the ‘Relief Line’. In: P. Vandiver, W. Li, J.L. Ruvalcaba Sil, C.L. Reedy & L.D. Frame, eds. Materials Issues in Art and Archaeology IX. New York: Cambridge University Press and Materials Research Society, vol. 1319, pp. 3-33.

    2010:

    Albertson, Rita and Murray, Winifred
    Book review of Mixing and Matching: Approaches to Retouching Paintings, Edited by R.Ellison, P. Smithen and R.Turnbull, Archetype, London, 2010, SIC 55 (2010), pp 313-316

    Artal-Isbrand, Paula
    ‘The Use of Fibrous Cellulose as a Mold Material in the Compensation of Large Losses in Ceramics’ in International Council of Museums-Ceramics and Glass Conservation, Corning, NY, October 3-6, 2010, Edited by Hannelohre Roemich, Corning, NY (2010), p 229

    2009:

    Klausmeyer, Philip
    An immunological approach to the analysis of art materials: the effect of aging and pigment interaction on antigenic detection of proteinaceous paint binding media using an improved protocol for enzyme-linked immunosorbent assays. Thesis. Ph.D. Clark University, Worcester, Massachusetts, United States (2009), [English w. English summary]

    Klausmeyer, Philip, Albertson, Rita, Strähle, Birgit, Woodland, Robert, and Schmidt, Madelyn
    ‘The Effect of Accelerated Aging and Pigment Interaction on Antigenic Detection of Proteinaceous Binding Media Using an Improved Protocol for Enzyme-linked Immunosorbent Assays’, Postprints (American Institute for Conservation of Historic and Artistic Works. Joint session of the Paintings and Research and Technical Studies Specialty Groups), Los Angeles, CA, vol 22 (2009), pp 1-19

    Klausmeyer, Philip, Albertson, Rita, Schmidt, Madelyn, Woodland, Robert, and Blewett, Morwenna
    ‘Analysis and Treatment of a Painting by Kees van Dongen: FTIR and ELISA as complementary Techniques in the Analysis of Art Materials’, ePreservation Science Online Journal, Vol. 6 (2009), pp. 151-162
    http://www.morana-rtd.com/e-preservationscience/2009/Klausmeyer-02-07-2008.pdf

    2008:

    Artal-Isbrand, Paula
    ‘Paul Revere Silver at the Worcester Art Museum: Understanding the Technique and the Craft of a Master’ in Silver Magazine (November-December, 2008), pp 12-16

    2007:

    Artal-Isbrand, Paula
    Book review of Conservation of the Last Judgment Mosaic, St. Vitus Cathedral, Edited by F. Piqué and S. Dusan, Getty Trust Publications: Getty Conservation Institute, Los Angeles, 2005, JAIC 46 (2007), pp 75-85

    2006:

    Blewett, Morwenna and Klausmeyer, Philip
    Kees Van Dongen's ‘Reclining Nude’: preliminary notes on the artist's varnish and an unrelated surface phenomenon. Postprints, American Institute for Conservation of Historic and Artistic Works, Paintings Specialty Group, Providence, RI, vol. 18 (2006), pp 113-116

    2005:

    Artal-Isbrand, Paula and Vignalo, Alisa
    ‘The Worcester Hunt Mosaic: A Sixty-five-Year Treatment History,’ Postprints of the Seventh Conference of the International Committee for the Conservation of Mosaics (ICCM) Thessalonica (Greece), 29 October-3 November, 2002, Thessalonica (2005), pp 223-233

    Artal-Isbrand, Paula
    ‘The Mosaic Conservation Campaign: Three Case Studies’ in The Arts of Antioch: Art Historical and Scientific Approaches to Roman Mosaics and a Catalogue of the Worcester Art Museum Antioch Collection, Edited by Lawrence Becker and Christine Kondoleon, Princeton University Press (2005), pp 80-111

    Becker, Lawrence (ed.); and Kondoleon, Christine (ed.) 
    The Arts of Antioch: Art Historical and Scientific Approaches to Roman Mosaics and a Catalogue of the Worcester Art Museum Antioch Collection, Princeton University Press (2005), Winner of the 2007 Award for Distinction in Scholarship and Conservation, The College Art Association/Heritage Preservation http://press.princeton.edu/titles/7982.html

    2003:

    Artal-Isbrand, Paula and Nunberg, Sarah
    ‘New Solutions for Loss Compensation on Mosaics at the Worcester Art Museum,’ in the Postprints of the Sixth Conference of the International Committee for the Conservation of Mosaics, Arles/Saint Romain-en-Galles, France November 22-28, 1999, Arles (2003), pp 313-321

    2002:

    Artal-Isbrand, Paula
    ‘The Conservation of Antioch Mosaics at the Worcester Art Museum,’ in the Postprints of the American Institute for Conservation of Historic and Artistic Works conference, Dallas, 2001, Objects Specialty Group, (2002), pp 136-149

    Artal-Isbrand, Paula; Becker, Lawrence; and Wypyski, Mark
    ‘Remains of Gilding and Ground Layers on a Roman Marble Statue of Hygieia,’ in Interdisciplinary Studies in Ancient Stone: ASMOSIA 5, Edited by John Herrmann, Jr., Norman Herz, and Richard Newman, Archetype Publications, London (2002), pp 196-200

    1999:

    Brigham, David; Mills, Laura; and Klausmeyer, Philip
    Online Catalog of Early American Paintings in the Worcester Art Museum. (October 1999)
    http://www.worcesterart.org/Collection/Early_American/  

    1998:

    Artal-Isbrand, Paula
    ‘A minimally intrusive Filling and Stabilization Solution for very fragile archaeological Glass Objects’, in International Council of Museums-Ceramics, Glass and Related Materials Conservation Group, Helsinki, Finland, September 1998, Edited by Alice Paterakis, Institute of Arts and Design, Department of Conservation Studies, Vantaa, Finland (1998), pp13-16

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